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Ferreri was a kind of protestant without God, an apostate without alternative religions, a secularist without faith in secular values. The humor that pervades the plot development, with tones always destructive and never consoling, leads everyone towards a cheerful destruction.
Ferreri was a kind of protestant without God, an apostate without alternative religions, a secularist without faith in secular values.
The humor that pervades the plot development, with tones always destructive and never consoling, leads everyone towards a cheerful destruction.
Discover the sharp satire and dark humor of Marco Ferreri’s cult western—watch Don’t Touch the White Woman now!
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