An underground American act known from a self-produced 1988 release. The record is associated in the review with the late-1980s "Californian trance" scene, limited/hand-painted vinyl pressings and a blend of rock, country, surf and psychedelia presented as a mystical western.

DeBaser hosts a single, enthusiastic review by Caspasian praising Man From Missouri's 1988 self-produced album. The record is described as a hypnotic, mystical western mixing rock, country, surf and psychedelia in a Californian-trance approach. The review highlights limited pressings, hand-painted labels and an epic pioneer/frontier theme.

For:Listeners of psychedelic, experimental rock, Americana, and underground 1980s Californian-trance music.

 “Look out the window (of the train that is going), doesn't this remind you of when you were on the boat? And later that night you were lying down looking at the ceiling, and the water in your head… And you thought to yourself: why is the landscape moving but the boat is still?“ (the locomotive driver to William Blake-Johnny Depp at the beginning of “Dead Man” by J. Jarmusch).

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