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To claim, as Bertolucci has claimed, to narrate eroticism in the world that had changed only a few years earlier turns out to be a convoluted and ridiculous experiment, full of clichés and nonsense. Brando is at the peak of unbearable, hammy, indulgent, don’t know where to look with his eyes.
To claim, as Bertolucci has claimed, to narrate eroticism in the world that had changed only a few years earlier turns out to be a convoluted and ridiculous experiment, full of clichés and nonsense.
Brando is at the peak of unbearable, hammy, indulgent, don’t know where to look with his eyes.
Discover the controversy and cinematic flaws of Last Tango in Paris—read the full review and decide for yourself.
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