Capish

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Questo è un consesso di menti sottili aduse a spaccare il capello in multipli di quattro e ad apporre tutti i puntini mancanti su qualsivoglia i. E’ un luogo di dialogo e di approfondimento in cui l’inutile riacquista la sua centralità. Tu, sperduto viandante, ti senti pronto ad entrare?

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Aggiungetemi!
Fratellone
Fratellone
25 may 08:50

DeRank™: 18,00

1988 Videomusic - Faccia da pirla - CHARLIE

At the beginning of his career, in the summer of 1988, Charlie skillfully mixed dance music and deep lyrics, thus creating his first hit, Pirla dance.
But the real earthquake that shook the entire music industry came shortly after with Susi Scusa, which sparked vain attempts at imitation from the elite of Italian music (Jovanotti first and foremost, Francesco Salvi right after).
I won’t add more, I’ll leave you with the words of the chorus, particularly evocative:

Me la dai, me la dai, me la dai, o no?
E me la dai, me la dai, o no?
Me la dai, me la dai, me la dai, o no?
E me la dai, me la dai, o no?
(Come on!)

CHARLIE Susy scusa 1988 evocativo:
lector
lector
8 nov 23

DeRank™: 30,00

And with this, we close the match *definitively*! Because if there’s anyone among you who believes that there can be more than a line like "Even in Valsugana they use the banana," then it means you don’t know what shame is...
@[Dislocation]
@[Almotasim]
and also @[IlConte] (for other reasons)
Here’s the record that the Velvet Underground didn’t have the courage to record! Here’s the cover that Warhol would have wanted (but didn’t know how to) create, here’s the work of 4 GENIUS (Palmieri, Nicolosi, Giunta, Miraglia) that only the mediocrity of Italy could keep in an unjust oblivion!
GRETA CAMPBELL - Banana (1977)
asterics
asterics
26 jun 23

DeRank™: 13,23

Well tuned in to #radiocapish,

on this sweltering afternoon for "Baroque Mondays: at the court of the Capish King," I would like to propose listening to the madrigals of the great Carlo Gesualdo (1566-1613) from Venosa, published in Venice in the early years of the 1600s.

Enjoy the listening.

Carlo Gesualdo (1566-1613) - Il Quarto Libro di Madrigali [La Venexiana, Claudio Cavina]

Ingrandisci questa immagine
asterics
asterics
12 jun 23

DeRank™: 18,34

Well tuned into #radiocapish

This morning for "Baroque Mondays: at the court of the Capish King," we will listen to a true classic: "Les Barricades Mystérieuses" by F. Couperin, one of the highest examples of French baroque for harpsichord.

Enjoy the listening.

Jean Rondeau & Thomas Dunford record "Les Baricades Mïstérieuses" by François Couperin

Ingrandisci questa immagine
asterics
asterics
5 jun 23

DeRank™: 18,07

Well tuned in to #radiocapish

This evening for the "Baroque Mondays: at the court of the Capish King," we go to Amsterdam where, at the turn of the 16th and 17th centuries, the great Jan Pieterszoon Sweelinck (1562 – 1621) reinvented keyboard music, effectively paving the way for the northern European baroque.
Let's listen to some of his compositions in the version by Richard Egarr.

Enjoy listening.

Sweelinck, Jan Pieterszoon (1562-1621) – Fantasias, Toccatas & Variations [Richard Egarr]
asterics
asterics
29 may 23

DeRank™: 25,13

Well tuned into #radiocapish

Today’s column “Baroque Mondays: At the Court of the Capish King” takes us to England in the second half of the sixteenth century, to the ducal court of the Howards. Francis Cutting (ca. 1550–1596) is one of the earliest known composers of lute music whose name has been preserved, and his compositions have been preserved in A New Booke of Tabliture (1596) by William Barley. Let’s listen to them, then, played by Domenico Cerasani for Brilliant Classics.

Enjoy your listening, see you next Monday.

Ingrandisci questa immagine

Cutting: Lute Music
asterics
asterics
22 aug 22

DeRank™: 23,44

Well tuned in to #radiocapish

This morning, for the "Baroque Mondays: at the court of the Capish King," we are listening to the third of the six sonatas for cello and basso continuo composed by Antonio Vivaldi in the 1720s and published in Paris in 1740, shortly before the death of the Venetian composer.

Enjoy the listening.

Antonio Vivaldi cello sonata No. 3 in A Minor, RV 43 - Johannes Raab

Ingrandisci questa immagine
asterics
asterics
14 jun 22

DeRank™: 18,67

#radiocapish

a little summer "baroque Tuesday: at the court of the Capish King”

J. S. Bach - Suite in G minor, BWV 995 - Evangelina Mascardi, baroque lute
asterics
asterics
23 may 22

DeRank™: 19,53

Tuned in to #radiocapish

"Baroque Mondays: at the court of the Capish King” takes us today to the serene Republic of Venice in the 17th century, where Giovanni Legrenzi (1626 – 1690) lived and worked, as organist and maestro di cappella of the Ospedaletto church. Let's listen to some sonatas from "La Cetra. Libro Quarto di Sonate a due, tre e quattro stromenti" (1673-1682), performed by the Ensemble Baroque de Nice.

Enjoy the listening.

La cetra, Op. 10: Sonata No. 15 ( [...] - Allegro - Adagio - Adagio - Presto e allegro - Presto...
La cetra, Op. 10: Sonata No. 3 (Adagio - Allegro - Adagio - Allegro - Adagio assai)
La cetra, Op. 10: Sonata No. 14 ( [...] - Allegro - Adagio - Allegro e presto)
asterics
asterics
16 may 22

DeRank™: 6,29

Well-tuned in to #radiocapish

For this afternoon’s “baroque Monday: at the court of the Capish King”, I suggest listening to "Les Voix Humaines," a composition by Marin Marais (1656 – 1728) in the style of his master Monsieur de Sainte-Colombe (ca. 1640–1700); in the famous version by Jordi Savall.

Enjoy the listening.

P.S. For a taste of this story: Pièces de violes avec la basse chiffrée - François Couperin - recensione

Les Voix Humaines by Marin Marias, performed by Jordi Savall with sheet music.
asterics
asterics
9 may 22

DeRank™: 8,20

Well tuned to #radiocapish

This week on “The Baroque Mondays: At the Court of the Capish King,” we offer you the chance to listen to the Hexacordum Apollinis (1699) by the German composer and organist Johann Pachelbel (1653 - 1706), son of a wine merchant, organist to the Duke of Saxony, and close friend of Johann Sebastian Bach's father. The work, whose title translates to "the six strings of Apollo," consists of six simple airs, accompanied by a series of variations that allow ample space for the performer, according to a model that will unfold in the hands of J. S. Bach's Goldberg Variations.

On harpsichord: Huguette Gremy-Chauliac (FY, 1978).

Enjoy your listening.

J. Pachelbel - Hexachordum Apollinis (1699)

Ingrandisci questa immagine
asterics
asterics
2 may 22

DeRank™: 15,06

Well tuned into #radiocapish

This morning, for “Baroque Mondays: at the Court of the Capish King,” we propose the listening of the Suite in D minor composed by one of the masters of early French Baroque, Ennemond Gaultier "le Vieux" (c. 1575 – 17 December 1651), in the interpretation by Hopkinson Smith recorded for Astrée in 1987.

Enjoy your listening.

Hopkinson Smith, Ennemond "Vieux" Gaultier, Suite en ré mineur
asterics
asterics
20 apr 22

DeRank™: 13,12

#radiocapish

unexpected event, "a baroque Wednesday: at the court of the Capish King”

Monsieur de Sainte Colombe - Pieces de viole seule (17th century)

viola da gamba: John Dornenburg

Sainte-Colombe - Suite for Solo Viola da Gamba - Mov. 5/5
Sainte-Colombe - Suite for Solo Viola da Gamba - Mov. 3-4/5
Sainte-Colombe - Suite for Solo Viola da Gamba - Mov. 1-2/5
Chaturanga
Chaturanga
18 apr 22

DeRank™: 10,68

Bach - Orchestral Suite No. 3 in D major BWV 1068 - Mortensen | Netherlands Bach Society
For now, I'm obsessed with the suites that I listen to for hours! I hadn’t added this one yet!
Chaturanga
Chaturanga
18 apr 22

DeRank™: 3,27

Luca Franzetti suona e racconta le sei Suites per violoncello di J.S.Bach
I found this "narrative" about the cello suites very interesting. For me, they are quite useful, but it's generally a beautiful approach to connect music with the story of the author's life.
Chaturanga
Chaturanga
17 apr 22

DeRank™: 10,86

Bach - Orchestral Suite No. 1 in C major BWV 1066 - Sato | Netherlands Bach Society
It may seem like I'm going randomly, but that's not the case. I study, thanks for the support to asterics and Lector.
Happy Easter to everyone!!!!!
asterics
asterics
31 jan 22

DeRank™: 6,76

Well-tuned in to #radiocapish

This morning, for "Baroque Mondays: at the court of the Capish King," we present a listen to a gem of the late Baroque: Carl Friedrich Abel (1723 – 1787), born in Köthen and the son of the viola da gamba player in the orchestra that J. S. Bach conducted in that city, left behind, among many other works, a series of anonymous compositions known as "The Drexel Manuscript" (Drexel Code 5871), from the collection of Joseph William Drexel (d. 1888) preserved in the New York Public Library. We will hear the suite in D minor, performed by P. Pandolfo.

Enjoy the listening.

CARL F. ABEL - SUITE in D MINOR - PAOLO PANDOLFO

Drexel Collection - Wikipedia
GullaryShulmann
GullaryShulmann
14 jan 22

DeRank™: 11,71

Traditional French music for hurdy-gurdy and bagpipes mixed with Tibetan meditation mixed with minimalist drone avant-garde... my bread. (Preferably at a loud volume and with an insane sound system). Le Vingt-cinq du Mois D'Avril La Baracande - Là haut là haut dedans la tour
La Nòvia is a supergroup of French guys who play traditional folk music (beyond the clear à la chansonnier French style, I hear Celtic and Tibetan influences) heavily influenced by minimalism (LaMonte Young, Terry Riley). Since the beginning of the second decade of the 2000s, they have been releasing albums under various “offshoot” group names of the supergroup.