Most of his acoustic compositions display very little inventiveness; he has blatantly drawn from the masters of English folk such as Bert Jansch or Davey Graham (and let’s be charitable about "Poor Tom," which is practically identical to John Fahey's "Sunflower River Blues"). Being a great admirer of both English and American acoustic guitarists from the Sixties myself, dear Page can’t help but get on my nerves. I’m sorry.
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