Pino Daniele

With "Bonne soirée" (1987) he charts the first stylistic change of course after having left behind some authentic masterpieces, remaining nonetheless at good levels until "Che Dio ti benedica" (1993). Then the Neapolitan slowly becomes afflicted by chronic-degenerative torpor. That period with the supergroup (Senese, Esposito, De Piscopo, Amoruso, and Zurzolo) in the early to mid-'80s raises the average to 4.