Francesco De Gregori

From the naïve-poetic plots of "Alice non lo sa" to the captivating manifesto of "Bufalo Bill," through the adolescent desolations of "La Pecora" and the bittersweet peak of "Rimmel," an enviable career with countless heights and (almost) no missteps. "De Gregori '78," "Titanic," "La Donna Cannone," "Canzoni d'amore," "Prendere e Lasciare," "Amore nel pomeriggio" are unforgettable. And woe to those who call him a poet, for he gets angry. Thank you, Prince!