Cover of Madonna Ghv2
Dave

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For fans of madonna, lovers of 90s pop music, readers interested in greatest hits compilations and music reviews
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THE REVIEW

In 2001, Madonna releases her second greatest hits, "Ghv2" (standing for Greatest Hits Volume 2), an ideal follow-up to "The Immaculate Collection", the best of which compiled her hits from the '80s.

No new tracks are added: Mrs. Ciccone mentioned in an online interview that adding new tracks in a collection of hits would be a cheat for the fans. Good point: it's a pity that in the first greatest hits there were actually two new tracks, one of which, "Justify My Love", was a mega success, staying at the top of the U.S. singles chart for two weeks.

The album still remains a summary of the best offered by Madonna in the '90s: from the sexual phase of "Erotica" to the warm rhythms of "Bedtime Story", moving through the spirituality of "Ray of Light", and concluding with all three singles from "Music". Additionally, it includes "Don't Cry for Me Argentina" which Madonna performed for the musical "Evita" and "Beautiful Stranger", which Madonna composed for the film "Austin Powers: The Spy Who Shagged Me". It is particularly pleasing to see this last track included in the tracklist, as it had never been published on any of Madonna's albums but only as a single or on the film's soundtrack.

The booklet contains thousands of small photographs capturing Madonna in her numerous transformations, placed there to emphasize her chameleon nature. "Ghv2" entered the top 10 worldwide and sold more than six million copies.

P.S. = I am reading your opinions on my reviews. Obviously, everyone can appreciate them or not, but what has negatively struck me is the attitude toward pop music.

So

1) if a metalhead or rocker doesn't want to read things about Madonna because they consider her musically rubbish, they can skip the reading without leaving superficial judgments laced with swear words and a very poor knowledge of the Italian language.

2) serious pop music is as valid as rock. Dismissing it as "useless" is ignorant. I suggest reading something on Andy Warhol, as well as musical and non-musical aesthetics, to gain a more open and prejudice-free idea about art.

3) I listen to a lot of music, mainly pop and pop-rock, as well as some forays into rock, in addition to classical music. I place no limits on my thirst for knowledge: considering everything that is pop as low, inferior, or useless is really short-sighted.

I added this small message because I could no longer endure the comments saying "Madonna is pop, what's the point of reviews on her?" or similar. It's really too much on a music review site, which would lose credibility by excluding artists from its range of reviews.

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Summary by Bot

Madonna's Ghv2 is a well-curated second greatest hits album reflecting her 90s musical journey from Erotica's sensuality to Ray of Light's spirituality and Music's upbeat rhythms. No new tracks were included to respect fans, but key singles like Beautiful Stranger appear here for the first time on a Madonna album. The review emphasizes the musical value of pop and challenges prejudices against it, highlighting Madonna's chameleon-like transformations captured in the album's booklet. Ghv2 achieved commercial success, selling over six million copies worldwide.

Tracklist Lyrics

01   Deeper and Deeper (7" edit) (04:54)

02   Erotica (radio edit) (04:33)

03   Human Nature (radio version) (04:32)

04   Secret (edit) (04:32)

05   Don't Cry for Me Argentina (radio edit) (04:51)

06   Bedtime Story (edit) (04:07)

07   The Power of Good-Bye (04:12)

Read lyrics

08   Beautiful Stranger (William Orbit radio edit) (03:58)

09   Frozen (edit) (05:10)

10   Take a Bow (edit) (04:31)

11   Ray of Light (radio edit) (04:35)

12   Don't Tell Me (04:40)

13   What It Feels Like for a Girl (04:45)

14   Drowned World / Substitute for Love (05:12)

Madonna

Madonna (born Madonna Louise Ciccone, August 16, 1958) is an American singer, songwriter, actress and cultural icon who rose to prominence in the 1980s and has had a multi-decade career marked by stylistic reinventions.
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