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Rating: The complexity of progressive rock knows no boundaries, not overlooking the various geographical natures and artistic nuances. An example among these that makes the sound of our local prog unique is undoubtedly "L'Eliogabalo" by Emilio Locurcio, branding itself as a unique piece in its kind as it is a theatrical pop opera.
The Sicilian author, with his experimental and visionary touches, released this Concept Mix on the market in the distant 1977, featuring among others great Italian singer-songwriters and established bands such as: Lucio Dalla, Ron, Claudio Lolli, the Crash and Pierrot Lunaire. But what is "L'Eliogabalo"? A little operetta that unfolds minute by minute between psychedelia, jazz, symphonic prog, and avant-garde where the lyrics take the leading role. So, it is essential to understand the texts and connect them to the music.
The intro opens with the track "Tutto Quello Che Mi E' Stato Tolto Lo Rivoglio", nothing special but then it asserts itself with "La Veglia" where hard rock and electronic music blend into the situations described by the narrator. "Il Viaggio", "La Visione", and "L'Attesa" are the fundamental chapters of the story where a multitude of instruments accompany the singer-songwriters: acoustic guitars, violins, organ, sax, mellotron, and piano.
Original also is the decision to describe the death of "Eliogabalo" (real name "Marcus Aurelius Antoninus", son of "Caracalla"), giving the work a more classical yet somewhat contaminated tone since the figure described was the son of the Invincible Sun and obsessed with oriental culture. Indeed, listening to it, it seems almost inappropriate to classify it as a rock work, but in the end, you will be captivated by its various nuances (which do not seem to embrace classic Italian light music).
An incredible metropolitan journey where the author, inspired by the years of terror of the era, between Red Brigades and economic crisis, wants to put an end in his own way to social problems. But without fear!
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