Formed in 1996 from the collaboration of Thomas Rainer and Hannes Medwenitsch, later joined by Sonja Kraushofer, L'Âme Immortelle became a noted name in the electro-goth/darkwave scene.

The band has released material on labels including Trisol and Gun Records (the reviews note a return to Trisol after releases on Gun Records).

Two DeBaser reviews praise L'Âme Immortelle's blend of EBM, electro-pop and gothic rock. Reviewers highlight strong melodies, orchestration and vocal interplay between Sonja Kraushofer and Thomas Rainer. Albums singled out: Dann Habe Ich Umsonst Gelebt and Namenlos. Both reviews recommend the records to fans of melodic, melancholic electro-goth.

For:Fans of darkwave, electro-goth, EBM and melodic gothic rock

 It's 1996. The entity L'Ame Immortelle is born from the collaboration between singer Thomas Rainer and keyboardist Hannes Medwenitsch; later on, they recruit singer Sonja Kraushofer: in 1997, their debut album, the acclaimed "Lieder die Wie Wunden Bluten", is released, instantly launching the Austrian trio among the big names in the electro-goth scene.

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 Namenlos (whose title comes from the little-known cemetery of the nameless in Vienna) is a successful mix of all the influences of the Austrian combo, namely a solid gothic rock prominently featured, a noticeable electro-dark, and a touch of neoclassical à la Persephone.

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