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despite the technical component being present and absolutely audible, what strikes the listener is the ability with which these five Londoners manage to be melodic in some passages and strangely aggressive (having this quality is not exactly a priority in progressive), aggressiveness due not only to the rhythms and always tight guitar riffs but also to the singer's acidic voice, which manages to alternate classical-style lines, where he shows he has a beautiful and warm voice, to others decidedly closer to a kind of scream, not overly exacerbated. Discover the review
despite the technical component being present and absolutely audible, what strikes the listener is the ability with which these five Londoners manage to be melodic in some passages and strangely aggressive (having this quality is not exactly a priority in progressive), aggressiveness due not only to the rhythms and always tight guitar riffs but also to the singer's acidic voice, which manages to alternate classical-style lines, where he shows he has a beautiful and warm voice, to others decidedly closer to a kind of scream, not overly exacerbated.
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