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The return of Limp Bizkit, six years after the last album, is a winning comeback by definition. The reason is simple: as pioneers of commercial crossover since the mid-'90s (who can forget the excellent debut "Three Dollar Bill, Y'all"), the band led by the (charismatic!?) Fred Durst has never backed down, remaining more or less consistent with their chosen musical path, offering the market what they want and know how to do, whether you call it Rapcore or Nu Metal. Sometimes, they've even put their faces on mediocre albums like "The Unquestionable Truth Part I", during years where groups like Linkin Park and P.O.D. may have inappropriately stolen their throne. Having almost never excessively conformed to trends of the time, stating that the current "Gold Cobra" is a record 'à la Limp Bizkit' is, nowadays, a small satisfaction—no cool outfits, no questionable haircuts, no 'effeminate' covers, and no frivolous pieces cunningly sold as 'the ever-desired change'. "Gold Cobra" is simply a Limp Bizkit album.
One must begin with an intro, the restless " Introbra " opens up to the rap of " Bring It Back ", " Remember all them 90's things, them 90's hits we laced like this. Commin' to you live 2012 and hell there's still not shit like this ", translated, Durst recalls the
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