A few words and it was immediately:

"Indifferenti Idioti" by Lexus.

The gentleman looked at the listener's astonished gaze and said, "I've never listened to an anti-album like this."

This listener is an ideal being who in this case is completely astonished by this listening experience. Why?

Because Lexus offers a very particular sound in which noise-dark-industrial blend perfectly, leaving the listener with a unique and stunning expression of discontinuity. Indeed, the first track "Provole soniche..........." (a provocative title that immediately has a stunning impact, because rather abrasive guitar distortions give rise to a unique and rare sound structure, a child of noise or that no-wave of Glenn Branca. "Pelle smerigliata" and "Il coniglio, il cane e il fallo" are the punk moments of the record that merge depressive energy with sparse and intoxicating lyrics. "Stanze gelide" and "Pil" are the first real industrial-noise moments of the record because they combine dark atmospheres with transcendent guitar experiments, such as feedback games and sound delays. "Pensieri escatologici" and "Meccanima" are the purely experimental moments of the record, as in the first track, a sharp guitar is accompanied by the radio voice of the Pope praising the freedom of peoples, and in the second track blender+guitar+quirky lyrics give rise to something truly experimental. The last two tracks "La melanconia della tristezza" and "Idis" are instrumentals that neither add nor take away from the complexity of the album. An important contribution to the album was made by Matteo Preabianca, who as producer-percussionist enabled its creation, for the label movimento flaneur.

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