Franco-Italian rock group combining noisy and experimental rock with Tunisian traditional instruments; reviews name François R. Cambuzat, Chiara Locardi and Jacopo Andreini among the core participants and note releases on Wallace Records.

Collaborated with Tunisian musicians and with arrangements by Mohamed Abid; reviewers cite influences including Keiji Haino, Wadih el Safi, contemporary classical music and songs from the Spanish civil war; Trapani - Halq Al Waady was released on Wallace Records (Mirko Spino).

Two DeBaser reviews highlight L'Enfance Rouge's noisy, experimental rock blending Franco-Italian songwriting with Tunisian traditional instruments. Reviewers praise the band's nomadic, Mediterranean-infused approach and collaborations with Tunisian musicians and arranger Mohamed Abid. Key albums discussed are Trapani - Halq Al Waady and Beja - Beijing.

For:Listeners of experimental/noise/art rock and fans of Mediterranean/world-fusion and cross-cultural collaborations.

 the eleven songs represent the stages of a journey that shapes time, turning it into a place where the listener can get lost, only to re-emerge from the waves of emotions 47 minutes later, at the end of which L'Enfance Rouge and the musicians involved have given us a musical jewel of fine quality, as exciting as it is interesting.

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 For those who are not familiar, it is a Franco-Italian mixed group that engages the help of a large group of Tunisian musicians and sings in French, always giving their albums a name consisting of two cities chosen by what I think are variable criteria and in any case are difficult to understand, to testify to the openness of their music and the fact that they are very internationalist - not classist nor too borderline, but you can feel they are socially critical and bohemian in spirit.

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