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❝ The cinema of Lav Diaz, a monolith with which the cinephile eventually tries to engage, is inextricably tied to the history of his country, the Philippines: a melting pot of cultures, scarred by colonialism, corruption, and natural disasters.
❝ It is not the "classic Diaz film," it is not dominated by static long shots, silence, black and white, nor is it any of that.
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