Starting from the story of the love for her beloved rat terrier, Lolabelle, who died in 2011, Laurie Anderson gradually and delicately ends up talking to us about herself, about her - we are convinced - special personality, both artistic and human, about the dramatic experiences of her childhood, and the difficult relationships with her mother.
Meditating on loss, death, love, and language, trying to draw from Buddhist concepts and citing, with extreme sobriety and detachment, the Tibetan Book of the Dead (a text describing the experiences the conscious soul lives after death), Ludwig Wittgenstein, David Foster Wallace (“Every love story is a ghost story”)…
The whole piece is constructed with great emotional intensity, from amateur 8-millimeter footage to which the author's own drawings are added, her comments (by her express wish, also in Italian), and moving minimal music, with pieces for solo violin, quartets, songs, and ambient electronics.
The film was presented and met with some favor at the 72nd Venice Film Festival in 2015.
The singular figure of the artist and woman Laurie Anderson, with a great career behind her, once again surprises and amazes.
In a current and modern way, almost classic or rather timeless.
The gem accompanying the closing credits is a piece by her husband Lou Reed - to whom the work is dedicated -, Turning Time Around, strongly desired by Anderson: “I thought it could be a wonderful thing for Lou to describe his definition of love, which embraces the image of time turning and moving in every direction…”