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❝ The music of Landberk is like this: suspended between the crimson melancholy of autumn and the chill of those who are used to carrying the cold even in their hearts, between sweet and soft layers of mellotron and frippian guitar evolutions and slow and measured notes like the falling snow.
❝ “One Man Tell’s Another”, despite the spelling error, is voted by a large part of the European critics as the Prog album of 1994.
❝ Such a discouraging history should not, however, eclipse the merits of one of the most evocative debuts of the nineties, steeped in an exacerbated anxiety, effectively transmitted by the funeral marches of Simon Nordberg’s mellotron (“I Nattens Timma”) and the supplications of Patric Helje, whose weak and plaintive voice seems like a cry for help originating from the recesses of a hostile and suffocating environment (“Trädet”), from which not even Stefan Dimle’s bass manages to reemerge, despite the determination of its paranoid runs (“Skogsrået”).
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