Lana Del Rey
Born To Die

THE REVIEW

One cannot say that this is the singer's debut album, yet it is Lana Del Rey's first album, after changing her name, she has thrown herself back into the music world, learning from her mistakes. The record is mature and committed, it oozes retro and Hollywood atmospheres, and is a solid pop effort to relaunch a singer who has been the subject of much gossip. In fact, this is one of the most peculiar traits of Lana, it seems that everyone has to pick on something, whether it be her physical appearance or her father's wealth, to justify a talent that, while not exceptional, is certainly present.

I mentioned a somewhat outdated sound, and indeed it can be seen even from the videos, reminiscent of the soundtrack of some old black-and-white classic, evident in tracks like "Radio" or "Without You", whispered by the singer. There are also more pop tracks like "Dark Paradise", or songs that initially promise something different but then, although pleasant, reaffirm the album's style like "Carmen" (a title that in my opinion raises some questions about what one might encounter). It must be said that despite its instrumental monotony, the album boasts a notable vocal performance, leaving room for deep whispers and sudden falsettos.

I believe it is obligatory to mention the title track "Born To Die" as an inspired and pleasant song, which opens with a string sequence; "National Anthem" with standout choruses and a really cute lyric; and finally, I would say that "Video Games" is excellent and very evocative.

In conclusion, this is an album that should be listened to as a background, because it does not directly reach the listener, but circles around, taking them back. A work to be appreciated even more because it comes from a twenty-six-year-old without delving too much into the commercial.