Cover of Lali Puna Live, 14/09/2002
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For fans of lali puna, lovers of indie and electronic music, concert-goers seeking intimate live performances, and enthusiasts of german electronic bands.
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LA RECENSIONE

Zagreb, September 14, 2002.

"They told me there's live music at KSet tonight," she says, and so we set off, crossing Zagreb at night, and I mean, I'm not sure if you're familiar with capitals of that kind, with Austro-Hungarian style buildings and Slavic style people, with dark leather coats and fair complexions and sad looks, etc.: the evening promised; after all, everything had the right color on those nights.

When we arrive, the place is already full. KSet is very nice; it has the right size so that Bon Jovi doesn't play there but not even I by myself. And then, yes, KSet is reverberating with the right colors; after all, everything had the right color on those nights.

The strange guys on stage are still setting up their instruments. They have an air of knowing their stuff. They start, and they play excellent electronic music; both engaging and composed, well-written, it is greatly appreciated live. There it is, what we were missing was electronic... With her, I had discovered so much music: from the busker in Dublin to Mercury Rev (what better music for a fairy tale?), from Leut Magnetic (crossover from Split) to Lambchop (while sipping a 'white coffee' in a pub with colored walls; after all, everything had the right color on those nights).
And now electronic too. She looks at me: "Do you like it?".
"I do". The undulating bass notes among the bleeps are splendid, the lead singer's freezer voice is splendid. After the first piece she introduces herself: "We come from Germany, we are Lali Puna". Well, I know them, I've read about them, they're from the Notwist German crowd. Who would have expected it, without even knowing, in any venue in Zagreb, in front of not even three hundred people, on an ordinary Friday night, I run into Lali Puna. Magic.

While KSet's atmosphere is saturated by Nin-Com-Pop, I realize that their music is blue and icy, provocative and sweetly obsessive.
And she is next to me, she looks at me and she too is music: provocative and icy, sweetly obsessive and blue, like her eyes and like the soul of an elf. After all, everything had the right color on those nights.

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Summary by Bot

This review captures the magical atmosphere of Lali Puna's live show at KSet in Zagreb in 2002. The band delivers excellently composed electronic music with a cool, icy tone and captivating vocals. The reviewer highlights the intimate venue and the unexpected pleasure of discovering this German band. The music is described as both provocative and sweetly obsessive, perfectly complementing the night's ambiance.

Lali Puna

Lali Puna are a German electronic/indietronica group associated in reviews with the Morr Music scene, centered around vocalist Valerie Trebeljahr and (historically) Markus Acher (also of The Notwist).
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