Konstantin Lopushansky is a Russian film director known for dense, meditative, post-apocalyptic and philosophical cinema.

Reviews and public commentary place Lopushansky in a Tarkovskian tradition: atmospheric, visionary films that explore nothingness, existential themes and moral transvaluation; his work emphasizes striking cinematography and color contrasts.

The available review describes The Ugly Swans as dense, visionary and highly meditative. It situates Lopushansky in a Tarkovskian lineage and emphasizes existential themes (nothingness, transvaluation of values). Visually the film contrasts warm open landscapes and cold interior blues, supporting its apocalyptic poetics.

For:Viewers of philosophical, art-house science fiction; fans of Tarkovsky-like cinema and existential film

 "...The terribly real sense of our existence not in the world, but somewhere between worlds, is not in the bounded reality, but in the shifting and forming, is not in the homely settling, but in the senseless pilgrimage... It was only possible to reverse the veil of Maya and observe everything from the opposite side, not from the side that lulls you and gives you a sense of calm, but from the side of Nothing, revealing our vital presence as an advancement of Nothing"

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