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❝ They’re back. No, perhaps it’s not exactly them, but a small part of them has survived the melting under the sun of the Maudlin Of The Well and lives again in Kayo Dot.
❝ What’s new? A massive reduction in distortions (...) and the introduction of rhythm, a more delicate sound but sustained by odd times that strongly recall the ’70s King Crimson for sounds and the ’80s for tempos.
❝ the seven songs of “Blue Lambency Downward” (...) give the impression of being pretentious and loaded with presumption (...) not even as “challenging” or inspired as the aura surrounding them might lead one to think.
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