Cover of Kaiser Chiefs Kaiser Chiefs' Easy Eighth Album
GrantNicholas

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For fans of kaiser chiefs, indie rock lovers, listeners interested in funk-infused pop rock, and music enthusiasts following british bands.
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THE REVIEW

The journey of the Kaiser Chiefs, with its ups, downs, and numerous changes, has been going on for twenty years now.

The quintet originating from Leeds arrives at this eighth album in good health, a good five years after the more than decent “Duck,” which had recalibrated the band's sound through a partial return to origins tinged with northern soul. This new “Kaiser Chiefs’ Easy Eighth Album” mixes things up a bit, with Wilson and company choosing a legend like Nile Rodgers for production, supported by the promising producer Amir Amor (Sam Smith, Maximo Park, and Ed Sheeran in his resume).

Given the names involved, a shift towards funky shores is easily predictable, confirmed by the single “Feeling Alright,” chosen by Rodgers himself from a pile of songs waiting to be polished; his guitar embellishes a good track, rich with all the melodic nuances that the British band has always been able to create with extreme effectiveness. Next is “Beautiful Girl,” which reassures the band’s long-time fans who were not fond of the “not so indie” turn of the latest works, before “How 2 Dance” brings us back to more danceable territories; chosen as the obvious first single, it’s an over two-minute bullet packed with a killer melody that is hard to get out of your head.

From this point on, the album loses cohesion and shows its schizophrenic side: in the remaining minutes, anything can happen, taking us from the Hard-Fi (also active again this year) drowned in the brass and pulsing bass of “The Job Centre Shuffle” to the glam rock of “Reasons To Stay Alive,” then continuing with the quintessential 80s dive of “Sentimental Love Songs,” up to the epic pop rock in the vein of Simple Minds with the fourth single “Burning In Flames.”

The second release “Jealousy,” a ready-to-use pop bomb that adds little to the album’s economy, anticipates an ending in which Ricky Wilson and company suddenly make a U-turn and with “Noel Groove” and the closing “The Lads” land a pair of brit rock tracks that couldn't be more classic.

In short, the Kaiser Chiefs are still alive and still among us, but they seem undecided between a sharp turn towards other territories (perhaps the flop of “Stay Together” in 2016 is still an open wound) and maintaining a status quo as indie rock flag bearers, which is now perhaps a bit stale history.

“Kaiser Chiefs’ Easy Eighth Album” is still a more than good album, with truly excellent quality tracks, although the aforementioned lack of cohesion perhaps does not quite allow them to be appreciated as they deserve.

Best track: The Job Centre Shuffle

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Summary by Bot

Kaiser Chiefs’ eighth album marks a return with funk influences and notable production by Nile Rodgers and Amir Amor. While featuring strong standout tracks like "How 2 Dance" and "The Job Centre Shuffle," the album suffers from inconsistency and lack of cohesion. It balances indie rock roots with experimental sounds, appealing to longtime fans but showing the band’s uncertainty about their direction.

Tracklist

01   Feeling Alright (03:37)

02   The Lads (03:52)

03   Beautiful Girl (02:32)

04   How 2 Dance (02:43)

05   The Job Centre Shuffle (03:00)

06   Burning In Flames (03:08)

07   Reasons To Stay Alive (03:04)

08   Sentimental Love Songs (02:44)

09   Jealousy (02:09)

10   Noel Groove (03:02)

Kaiser Chiefs

Kaiser Chiefs are an English indie rock band from Leeds, fronted by singer Ricky Wilson, known for hook-heavy songs and chant-along choruses.
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