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Rating:
"we called our music concrete, because it is made up of pre-existing elements, borrowed from any sound material, whether noise or traditional music. These elements are then composed experimentally through direct construction that aims to achieve a will of composition without the aid, which has become impossible, of traditional musical notation".
Pierre Schaeffer in the "Treatise on Musical Objects", 1966.
Absence of rhythm, endless and deafening chirping, clattering trains, loops that overwhelm and resurrect, electronics that, like Zen, transform the soul.
Dazzling and total love for music, experimentation never an end in itself, twenty-five years on the fringes of show business, a web page loaded with reviews where records are served on a red carpet.
3" environmentally friendly, 21 precise minutes of total upheaval of classical canons.
A letter of presentation of the work that already says it all:
Concrete music, electronic, avant-garde, ambient....
In reality, there is no way to perfectly describe the musical direction taken by Joyello in recent years.
An electronic work in six movements that touches the dreamlike strings of each of us, dreamed and dreamy moments that at the end of the music push the repeat button. Strongly recommended listening with headphones or with a more than decent audio system and absolute prohibition of compression into low-quality audio files.
Joyello from Verona with a punk past and yellow guitar certainly recalls a certain Faust'o who debuted with the famous yellow shoes...
Track list:
An operachi elettronica en six muvementz
a: (copy)
b: down en vorst low prurituzis
c: antonio, you're really palla
d: Anguish en el junglo
e: this es mio best to rezt
f: (stop)
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