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THE REVIEW
Only a year has passed since the masterpiece "This Was," and Jethro Tull are releasing their second album in a year, but it must be said that it emerges as a worthy successor to their debut.
The first novelty is the arrival of the new guitarist Martin Barre who replaces Abrahams. While the former is a multi-instrumentalist, the latter was a real gem for the blues version of Jethro. The first track, A New Day Yesterday, is definitely a continuation of This Was due to its Blues atmosphere, but there are also tracks that immerse the listener in the folk world (Fat Man, Look Into the Sun), and the experimentalism paints the English group with talent and skill. And as if that weren't enough, there are also two good hard rock tracks (Back to the Family, Nothing Is Easy).
The more demanding listener will not be disappointed, but those who adored the debut (like myself) will certainly find themselves at a loss. In any case, "Stand Up" remains a little gem, and the cover of Bach's Bouree is unforgettable. Cornick is excellent, Anderson and Barre find their meeting point right away, Bunker and his drums are a bit subdued this time (due to the numerous folk songs where Bunker still plays the percussion), but at the right moment, they know how to step out and make an impact.
All that remains is to stand up and applaud.
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Summary by Bot
Stand Up, Jethro Tull's second album, follows closely after their debut, introducing Martin Barre on guitar. The album skillfully mixes blues, folk, and hard rock, showcasing experimental talent. Highlights include the memorable Bach Bouree cover and strong performances from band members. Though fans of the debut might find some differences, the album remains a beloved gem.Tracklist Lyrics Videos
Jethro Tull
Jethro Tull are an English rock band formed in 1967 and long led by Ian Anderson. They are known for blending progressive and folk rock around Anderson's prominent flute and for landmark early-1970s albums such as Aqualung and Thick as a Brick.84 Reviews
Other reviews
By Grasshopper
Ian Anderson’s flute proves capable of delivering the most diverse sensations: from the wonderful pastoral idyll of 'Reasons For Waiting' to the snake charmer oriental tones in 'Fat Man'.
Jethro Tull have performed a miracle, respecting the original [Bach] without just copying it.
