The new generation of beach-going boys and girls listen to many great things: Real Estate, Beach Fossils, Best Coast, Wavves, Jeans Wilder.
Jeans Wilder is the stage name of a bearded Californian lad, namesake of the famous Andrew Caddick, a cricket player from the legendary English national team of the nineties: he has a passion for certain minimalist lo-fi, for the bonghetti, for surf which, however, he cannot do, for fuzz, for doo-wop ballads; it's wonderful how he managed to fit all his passions, soak them in classic romantic disappointment - nice trash is how his ex describes him - and put them on this record.
Like Dirty Beaches, Jeans Wilder creates ambient music: you won't find Surfer Girl, Surf's Up, or even Earth Angel in his records, but you'll find a synthesis of their basic components exaggerated, expanded, booming: thus, the enchanting lull of Sparkler, the most successful, is a pseudo-doo-wop - without the vocal baroques - where the guitar, very distant, mimics the classic Wilsonian falsetto (Brian); an antique piece updated to fit the renewed needs of the beached new generation, easily summed up in apathy and reverberation. Be My Shade in the opening is literally sung on a wave. Blonde Beach redefines the meaning of fuzz-pop. International Waters is liquid-state synth-pop. And everything else is also worth it, truly, to be taken as an amorphous aggregate of sound themed around songs from a beach deformed by smoke, as one would take a Grouper record; and to linger on the manifest beauty of certain vocal lines, sometimes evaporated, buried under tons of sound.
How beautiful, the summer of twenty ten.
Tracklist and Videos
Loading comments slowly