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❝ The scene is absolutely illuminated, charged with warm and brilliant colors, vivid, despite the tragic context, which furiously clashes with the dark background infiltrating as it surpasses the arches.
❝ The light and shadow recall Caravaggio's dramatic ability in rendering sacred contexts: clearly David's attempt to present the assassinated as a secular icon and martyr of the Revolution and Enlightenment values, in contrast to the weary figures of Christian tradition and obsolete ecclesiastical dogmas.
❝ Marat's body is still half-warm.
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