Here we are faced with a concept album! Ssoass is the seventh effort by Iron Maiden. Iron Maiden is one of the few bands from which high-ranking lyrics arise, as if we were facing a text of history and literature, and this is very important in the musical field, especially in heavy metal.
But let's get to the album: Moonchild opens this masterpiece with a soft acoustic guitar and over it a voice humming the 4 short stanzas, then slipping into a storm of solos, tapping, and chilling screams with a sharp and charged drum. Infinite Dreams, a gentle rise of melodic guitars, a reflective song in search of a truth, the piece progresses with Murray and Smith exchanging terrifying turns only to fall into emptiness!
Can I Play With Madness the single release, let's say the most cheerful piece with a commercial sound!
The evil that men do is a piece inspired by a Shakespeare quote (the evil that men do), the second single released, the initial guitars mimic the chorus of the song that flows greatly.
Now it's Ssoass the title track's turn: an (oriental) start where Bruce Dickinson's monstrous voice chirps, the song is very atmospheric, at a certain point the piece breaks and falls into the darkness of shadows (with the organ calling to nocturnal voices) the journey seems never to end, when along the way a light appears and the piece bursts, thrilling, breathtaking, guitars intertwining in simply splendid solos... and what else to say? This album is a masterpiece, dark, tormented, reflective! It's always an Iron Maiden album that must be digested!
"Seven deadly sins, seven ways to win, seven holy paths to hell, and your trip begins."
"Seven are your burning fires and seven your desires, I am he the bornless one, the fallen angel watching you Babylon."
Seventh Son of A Seventh Son is worth the entire album, perhaps the most beautiful heavy metal track in history.
This remains the best Iron Maiden album along with The Number Of The Beast... it represents the highest point of the band’s history from a creative standpoint.
This album has the magical power to open the doors (at least those of my house).
I find it hard to save any of their ’90s albums, but this one shaped prog metal and remains powerful and reflective.
A true masterpiece from every point of view.
The keyboards blend perfectly with the distorted guitars to create an album concept that gives chills.
I’ve simply fallen in love, madly in love with Seventh Son of a Seventh Son.
I’m happy to have found a true passion, something I feel is mine, for a band I’ve always felt was everyone’s and therefore nobody’s.