Mamma mia!!!! There is no other way to start the review if the work in question is "killers"!! So I'll say it again: Mamma mia!!! What rock!!!!
In this album, you find the essence of Iron Maiden's sound: their unique ability to change rhythms, make abrupt turns, be both driving and driven!!!! Granted, I am reviewing an album that needs no words but only to be played, I just wish someone could explain or help explain how much energy and musical beauty there is in the transition from "The ides of march" to "Wrathchild", a mythological piece, introduced by some bass notes from Harris out of Greek mythology. "Wrathchild", a lightning bolt splitting the darkness, a cheetah-paced progression in a dark and fascinating stele. This is followed by some very fast tracks like the overwhelming "Murders in the rue morgue" and especially the fantastic, irresistible "Another Life", a frenzied rock bolstered by a notable vocal performance from D'Anno. After a start like this, someone might say it's time to catch a breath for goodness' sake! But no!! "Gengis Khan" is a myth, it is chaos that turns into harmony amidst abruptly turning guitars and ancient guerrilla scenarios. The album could even stop here!!! But there is still room in the second part of the album for one of the most beautiful and well-known tracks of the Iron Maidens, the self-celebratory "Iron Maiden" and a splendid "Killers".
What can I say.. Iron Maiden's second album is superb and the beauty and power of tracks like "Wrathchild" and "Gengis Khan" even overshadow some of the album's pauses. The essence of this music lies in its speed and its irresistible intertwining of guitars, bass, and Di Anno's voice, which really shines in this album, but, no offense, still remains inferior in charisma and power to Bruce Dickinson.
Anyone who loves Iron Maiden cannot help but love this album which fully contains their sound.
Steve Harris establishes himself as one of the greatest songwriters in history.
Paul Di'Anno puts so much emotion into his voice that it makes each song even more enjoyable.
I attack every living being who, starting from Killers, began collecting Maiden, because they are a useless band.
Bands like Maiden are amorphous beings who sold out to the highest bidder.
The five members are grandiose, united, perfect, and precise in their execution of the songs.
Di’Anno shouts wildly, schizophrenic, like the murderer he impersonates in the song.
"So far we have heard ONLY masterpieces, and among these masterpieces, pieces like Innocent Exile or Purgatory fall into the norm."
"The title track. No comment folks, a masterpiece of the '80s history."
'Wrathchild' ... deserves the fame it has earned among the band’s fans.
The song 'Killers' keeps a 'galloping' rhythm, which I personally adore.