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Hola, de-utientes. After 3 winters, I return to review, and for the first (and I think last) time in 🔋Spanish Language🔋.
The Focusing here is pointed at some personal developments dedicated to the metalists whose leaders responded to the names Dickinson and Blaze Bayley, two MYTHOLOGICAL BEASTS OF THE MICROPHONE.
What is narrated corresponds to the beginning of the story proposed from 1980 up to The X F, which then expands with a cavalcade (Running Free) preceded by the “tripolar” and Ecstatic In Narrative RimE of the Ancient Mariner... although then there are more details collected in each of the seven (number that will be found often in the works of the four metalist authors of NOTB), 7 levels present the gems of the Virgin’s prophecy (also see a text like that of “Viruz” in the First Volume... even well 23 winters in advance of the monster Delta!) collectible gems that unlock the different chapters of infinite games of (few!) magical agreements proposed and allow unraveling the narration in its various aspects, from the immortal The Trooper to Hallowed, or then from the background behind Vitalogia’s path to the six final options + one (The what will cover the pearl Strange World) proposed by the pentagrammatic game itself (2 of which directly accessible on the radios of half the Hemisphere, like the Eponymous Track, and the others linked to the collection of collectibles to satisfy some coherent conditions of the Iron M. group). The final result, however, remains deliberately a sketch of the experience long ago of (almost) A Score of Metallic Chapters, designed in the early harvest of 1996 to enrich the experience rather than characterize it, in accordance with the rules of the “old school Compact” productions started in the anagramante 1969 with HERMES E LAÌZ, Iron B.fly, Aguaturbia, and (above all) Cromagnon and Deep Purple, but in fact enriched (by the compounds of that decade) with typically Indie-Noise elements of the era to which the collection belongs, a magnificent crucible of styles that communicates to us that the formula “Repetita Iuvant” typical of cousin genres Hair, Speed and Industrial only contributes to KNOW CRUSH YOUR OWN BALLS, while "In the end" it pays even to this day for the good will shown for this long-lived British combo in publishing a Second Volume that explores its best Live side with good care of alternating Workhorses with excellent studio initiatives.
🔋See you later, Cooompañeros🔋!
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