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❝ There's not much to say about this album: played divinely (Aaron Marshall is one of the strongest guitarists of his generation), produced and mixed/mastered excellently (Jordan Valeriote, if I'm not wrong, was already behind the mixer for the first Counterparts album, which I reviewed years ago), a beautiful blend of influences from Djent (the good kind like Periphery, Tesseract, Meshuggah if they can be defined as "Djent") to high-grade instrumental Progressive Rock/Metal (echoes of that "Suspended Animation" by John Petrucci here and there), to Jazz; in short, the album could be defined as a small masterpiece sui generis, alas, despite the quality of their subsequent offerings, never surpassed by its own creator.
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