I fichissimi are an Italian punk band from Turin, remembered for a short, intense three-year activity and the 1994 release Un mondo fichissimo.

Famous for a public withdrawal statement rejecting commercialization; 1994 release Un mondo fichissimo contains six tracks (later expanded to include the group's full discography), includes an irreverent cover of Pappalardo's "Ricominciamo", and songs such as Lisa non se ne andrà, Gianni è un metallaro, Come un tonno, La tipa della casa occupata, Mi alleno contro il muro and the bonus mockery Noi facciamo solo cover. The band is praised for Ramones-style punk, Queers/Screeching Weasel influences, and an integrity compared in the review to Fugazi.

I fichissimi are presented as a short-lived, intensely principled Turin punk band. Their 1994 release Un mondo fichissimo is celebrated for raw Ramones-school punk, sharp lyrics and an explicit anti-commercial stance. The band famously announced their withdrawal from the scene to avoid commodification.

For:Fans of punk, Ramones-style pop-punk, DIY and anti-commercial scenes, and historians of Italian 1990s punk.

 

''…We, the Fichissimi, will not play today and will not play anymore. If you’re only interested in punk music, you can watch MTV, buy records at Rock & Folk or Zapping, and shell out thirty thousand lire for the punk band in concert. You don’t need us, and in fact, we don’t want you. The Fichissimi weren’t here to bring their message to as many people as possible. They weren’t here to entertain anyone; we’re not prophets nor musicians. [...] The Fichissimi no longer want to create products to be peddled by informers and alternative music magazines. Too many of you bought our record like any other product, without realizing it wasn’t meant to be and shouldn’t have been a product. There were even those who, at the end of concerts, asked us for autographs, asked if they could have a used pick from us, or a piece of paper with a setlist on it (relics? I’m speechless). There were those who sold the first pressing of our 7" for twenty bucks to some collector. There were those who were surprised when we told them that we wouldn’t play at Rototom, Dracma, and alternative discos, even if the entrance would have cost five thousand like at a squat. [...] Next time, go to the Leoncavallo or the Gabrio; the beer is cheap there too. Tonight you didn’t have fun, you didn’t spend the few moments of freedom you had as you wanted, you wasted your free time. And tomorrow we’ll all return to our shitty lives. Sad, isn’t it?''

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