American blues slide guitarist noted for bottleneck slide technique and a rough, expressive vocal style. Associated with electrified blues and live recordings such as Blues on the South Side.

Described by the provided review as a bottleneck slide guitar authority; the reviewed LP is a mid-1960s live electric blues record with swinging, danceable accents.

A wry appraisal of Homesick James' electrified, slide-driven blues. The available review highlights his bottleneck technique and rough vocal style. The LP Blues on the South Side is presented as canonical, danceable electric blues.

For:fans of classic electric blues, slide-guitar enthusiasts, listeners of live blues records

 This is the story of a terrible musician, who disappeared from the scene for a good year and returned playing like a God, composing epochal pieces that spoke of crossroads, hellhounds, and Judgement Day.

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