Hector Zazou is an ambitious musician, producer, and composer.
For at least two decades, he has been conducting experiments in the fusion of jazz, blues, world-music, and electronics.

This album is a tribute to the "cursed poet" Rimbaud, with the lyrics being none other than his poems.
For the occasion, Zazou calls among others Sylvian, Gerrard, Perry, Sakamoto, and Cale. The result is absolutely fascinating.

Aside from the first track, a piece perhaps a bit too dance-oriented, in which Zazou uses the voice of the always self-ironic Depardieu, the rest of the album is extremely alluring. It feels like being catapulted into a smoky and dark venue where musicians play wearily melancholy tunes in front of a bored audience.
Occasionally, a piano or trumpet solo emerges, blending with a melancholic female voice throwing us into a stupor, as in "Ophèlie," or the percussion and acoustic guitar make their way, awakening us and enriching the interpretation of Khaled's wonderful voice in "Amdyaz."

All of this is seasoned by the histrionic Zazou, who fiddles beneath with his electronic contraptions, warming the atmosphere rather than cooling it.

Tracklist

01   I'll Strangle You (feat. Anneli Drecker & Gérard Depardieu) (05:12)

02   First Evening (feat. John Cale) (06:31)

03   Ophélie (feat. Dominique Dalcan) (06:20)

04   Lines (feat. Barbara Gogan) (03:33)

05   Youth (feat. Brendan Perry & Lisa Gerrard) (05:34)

06   Hapolot Kenym (feat. Samy Birnbach & Sussan Deihim) (04:59)

07   Hunger (feat. John Cale) (04:38)

08   Sahara Blue (Brussels) (feat. Barbara Gogan) (06:05)

09   Amdyaz (feat. Khaled & Malka Spigel) (05:31)

10   Black Stream (feat. Lisa Gerrard) (03:57)

11   Harar et les Gallas (feat. Ketema Mekonn) (04:28)

12   Lettre au Directeur des Messageries Maritimes (feat. Richard Bohringer & Sussan Deihim) (04:41)

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Other reviews

By fosca

 Works of such refinement and rare beauty and so laden with emotion.

 A collection of small sonic jewels rich in harmony to which one cannot deny refinement, elegance, and good taste.


By luludia

 When you take the trouble to put the verses of a great poet to music, you’re taking a big risk.

 These are magnificent tracks, marked by Barbara Cogan’s sweet and suspended voice, which successfully meets the unconscious power of the images.