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The year was 1969, musicians began to explore the possibilities of funk and its fusion with other genres such as jazz, soul, and even psychedelia, and Harry Betts, a trombonist and composer approaching fifty, composed the soundtrack for The Fantastic Plastic Machine, a documentary about the adventures of a group of American surfers competing in a tournament on the Australian beaches. Discover the review
The year was 1969, musicians began to explore the possibilities of funk and its fusion with other genres such as jazz, soul, and even psychedelia, and Harry Betts, a trombonist and composer approaching fifty, composed the soundtrack for The Fantastic Plastic Machine, a documentary about the adventures of a group of American surfers competing in a tournament on the Australian beaches.
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