Cover of Harmony Korine Gummo
C.H.A.R.L.I.E Nokia

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For fans of experimental and indie cinema, followers of harmony korine, lovers of poetic and provocative films, viewers interested in social critique and outsider art cinema
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THE REVIEW

Aesthetics approaching a snuff movie, the film is total apathy, delirious, the sickness surrounding the actions of the protagonists, like when one vents anger on a metal chair until it's in shreds, just to relieve boredom, go back and watch the rabbit boy emerging from the trash with a dead cat in hand to the notes of only the lonely by Roy Orbison, this is poetry, not the Hollywood-scented crap, a film with such a low budget that it feels like it was shot with items found in the garbage, and perhaps it truly is.

The violence is often present but it's almost never real, "pornographic"; the attack is against a chair or in the friendly brawl between brothers or in the mother's threats to her son to make him smile, and it's precisely this futility that horrifies. Much, much better than the various 'ken park', which self-celebrate too much, drowned in perversion and with a not really original plot, cat lovers should abstain from watching it.

'Gummo' is the director's disease which is the disease of the whole world, there are so many people sick without knowing it, 'gummo' is the squalor of American society in some of the more lost provinces where the only way out is to become a marine at 18 and travel the world without even knowing why.

Poorly acted (all newcomers).. edited in music video style, shapeless budget, masterpiece.

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Summary by Bot

Harmony Korine's 'Gummo' presents a raw portrayal of lost American towns with poetic imagery and unsettling apathy. Despite a low budget and amateur acting, it captures societal sickness authentically. The film's violence is symbolic, emphasizing futility rather than shock. It stands apart from similar films by avoiding sensationalism.

Harmony Korine

Harmony Korine is an American filmmaker, screenwriter, and artist known for writing Kids (1995) and directing Gummo (1997), Julien Donkey-Boy (1999), Mister Lonely (2007), Trash Humpers (2009), Spring Breakers (2012), and The Beach Bum (2019). His work blends independent and experimental sensibilities with provocative portraits of American subcultures.
05 Reviews

Other reviews

By Apple_of_sodomY

 Gummo represents a huge bloody gash in the world of wealth and the filth we create day after day.

 Harmony Korine with those scenes hits us like a punch in the stomach that really hurts.


By Mr.Black

 "What is Gummo? It’s about everything and nothing, raw, hyper-realistic, and nihilistic."

 "An experience that will certainly mark you — a masterpiece of twisted poetry and truth."