Hanni Kohl
Doom 2

THE REVIEW

An unexpected debut from this German band, indie-like in production and high quality at the musical level.

The musical proposal of this band is composed of beastly growls, drugged and at the same time depressing sensations, electronic beats that enter your ears and make your head explode. With this debut (not counting their EP), Hanni Kohl launches a style of music that would be and represents an eternal rival to the song "Come to Daddy". Listening to the songs at first impact gave me the feeling of an album born with eyes red from tears, from inner frustration, an album affected by misanthropy (particularly the song "EX", perhaps the best song of the album) where the deathcore riffs are entrusted to synths and various samples (see the song "Chuck Norris"); the evolution and further extremism of the music, yet another indecent proposal from an unknown band, the kind of music no one would ever want to play and the album that should never have been released, the one that Aphex Twin never managed to make, a revelation album and given the confusion and the atmosphere of looming genocide, I would say it is also a worthy heir to Atari Teenage Riot.

Perhaps one of the most fascinating and extreme revelations of the last 10 years, I hope they become known for their musical peculiarity and their "naive" style (despite the music being touching... the song titles are not very meaningful) of leaving the listener speechless, making them stagger when the iPOD headphones are removed and the stereo is turned off.