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Pastore's music, valid in my opinion in absolute terms, without distinctions of labels, genres, or artificial distinctions between "minor" or "major" art (compared to what, then?), skillfully mixes a Dylan-influenced folk, akin to the mood of many authors in vogue in the '70s, with Mediterranean tones that emerge from guitar arpeggios, harmonies, and the arrangements of the individual pieces, all of this radicalized by lyrics and singing in a strict Barletta dialect. Discover the review
Pastore's music, valid in my opinion in absolute terms, without distinctions of labels, genres, or artificial distinctions between "minor" or "major" art (compared to what, then?), skillfully mixes a Dylan-influenced folk, akin to the mood of many authors in vogue in the '70s, with Mediterranean tones that emerge from guitar arpeggios, harmonies, and the arrangements of the individual pieces, all of this radicalized by lyrics and singing in a strict Barletta dialect.
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