Giacomo Meyerbeer

The Profile

German composer (1791–1864) who became the leading architect of French Grand Opera in Paris after formative years in Italy, with landmark works including Robert le diable, Les Huguenots, Le prophète, and L’Africaine.

Il Crociato in Egitto premiered at La Fenice in 1824 and includes a rare leading role for a castrato (Giovan Battista Velluti). Robert le diable premiered in 1831 and helped codify Grand Opera, including the ballet of the ghost nuns. Meyerbeer emphasized large choral scenes and integrated ballet, influenced by Italian bel canto yet distinctively French in scope. His reputation was later contested, though modern revivals—championed by prominent artists—have restored much of his standing.

Two detailed reviews defend Meyerbeer’s pivotal role in shaping French Grand Opera. Il Crociato in Egitto shows his Rossinian roots, bold choral writing, and a rare castrato role. Robert le diable (1831) codifies Grand Opera with lavish choruses and the infamous ballet of ghost nuns. The pieces highlight modern revivals and his influence across 19th‑century opera.