Cover of GG Allin Hated In The Nation
Giordano

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For fans of hardcore punk, lovers of underground and extreme music, readers interested in controversial music artists and punk culture
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THE REVIEW

Fetish, vomit-inducing, dirty (in every sense), violent, macabre, bastard, crazy, but above all free.

G.G. Allin in question has all these qualities, and even more, a real mess in short; but the most considered reflection I can make is that he is still a free man to do whatever he wants, including defecating on stage. He is the craziest artist I have ever seen, everyone else would fall in comparison to him.

Musically, he is the pure essence of the dirty doctrine of punk, the most hardcore type, to be clear. The "songs" (almost always two minutes at most if not less) are poorly recorded, dirty and out of tune: 3 or 4 chords at most. Following the character, you won't be able to resist checking out his live video clips, which will leave you astonished (due to the unbelievable filth shown).

I did even more: I have some guts so I bought the posthumous biopic "Hated" online, to understand more. It arrives to me from distant America.

The most "amusing" piece occurs when he, GG, goes to a university for a live performance: he does a kind of game to entertain the students present (very Yale style). So he pulls out a banana (I should mention he's always in his underwear during his concerts), peels it, and puts it there, among the students' delightful astonishment, which makes them vomit or almost. Then he extracts it from the orifice, with the smells and tastes you can imagine, and throws the pieces of this now-dead banana at the terrified fleeing audience. Incredible (like Piccinini)! This is an anecdote learned from the documentary, but there are many others that you won't regret (like fellatio with human or animal audiences, self-mutilation with cans and mics, etc., etc...).

Musically in my opinion it's not bad (in the end, being hardcore, you know how it is), there is a clear metamorphosis between the debut "Live Fast, Die Fast" and the more recent "Outlaw Scumfuc." Of the CD, the most noteworthy is "Bite It, You Scum" which, in my opinion, is the smash hit: the classic that comes to mind (for me) when talking (almost never) about him. The rest are little songs ("little" because they last so short) that better focus on the character, and the brother Merle, visually amusing, on bass. Over time and with some research, I have learned to "care for him" and elevate him as a personal idol: such extreme, eclectic, but above all free characters, I admire.

Although it’s obvious that no one dreams of becoming like him, also because it would be impossible.

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Summary by Bot

This review captures the chaotic and extreme essence of GG Allin's 'Hated In The Nation,' highlighting his raw punk sound and controversial live antics. The album’s short, dirty, and out-of-tune songs represent the pure hardcore punk ethos. The reviewer admires Allin's absolute freedom and radical character despite his shocking behavior. The review also references the artist's notorious live performances and documentary insights that reveal his extreme lifestyle. Overall, the album is celebrated for its authenticity and rebellious spirit.

Tracklist Lyrics

01   Intro (M. Board) / Stimulation / I Wanna Fuck Myself / Bite It You Scum (09:07)

02   You Hate Me and I Hate You (01:39)

03   GG's Phone Machine / Blood for You / Hard Candy Cock / Eat My Shit / Scum Fuck Tradition (14:10)

04   Drink, Fight and Fuck (03:05)

05   Needle Up My Cock (03:43)

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06   Sluts in the City (03:57)

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07   Ten Year Old Fuck (03:39)

08   Ass-Fuckin', Butt Suckin', Cunt Lickin', Masturbation (03:49)

09   Gimme Some Head (03:17)

10   Tough Fuckin' Shit (02:12)

11   Board's Phone Machine (00:37)

GG Allin

GG Allin was an American punk singer known for ultra-violent, transgressive performances and raw, lo‑fi hardcore. Active from the late 1970s until his death in 1993, he fronted various bands (including the Murder Junkies) and worked with figures from the U.S. underground. His discography spans abrasive punk to country detours, and his legacy is defined as much by scandalous shows as by recordings.
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 My music is wild, violent, and angry, just like I feel inside.

 My shows are a completely primal assault, which will never be tamed, and no one else can do it in the f---ing way I do.