British film director known for revitalizing contemporary action cinema with Merantau, The Raid: Redemption and its sequel The Raid Berandal.

Worked extensively in Indonesia; collaborated with martial-arts performers Iko Uwais and Yayan Ruhian. Known for intensive rehearsal of fight choreography, pre-editing on set, long takes and a visually driven approach to action filmmaking. Films frequently prioritize staging and physical performance over complex plots.

Reviews praise Gareth Evans for reinventing modern action cinema with visceral, rehearsed martial-arts choreography, long takes and bold cinematography. Critics highlight his collaboration with performers Iko Uwais and Yayan Ruhian and a production method that rehearses and pre-edits fight sequences. Plot is often considered secondary to the films' visual and physical intensity.

For:Fans of visceral action cinema, martial-arts choreography enthusiasts, viewers who prioritize staging and cinematography over plot.

 This film had a somewhat complicated genesis. And from a complicated genesis came the evident apocalypse of action cinema.

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 If you’re willing to watch people shoot and fight for an hour and forty, "The Raid" is a bit like the centerfold of Playboy with Pamela Anderson blonde on top and black beneath: something to keep hidden under the mattress, enjoy alone, and that makes you feel truly masculine (and a bit silly too).

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