Frank Borzage (1894–1962) was an American film director known for romantic melodramas and work in the silent and early sound eras. He won Academy Awards for Best Director for 7th Heaven and Bad Girl.

The River (1929) is largely lost; a reconstructed version using surviving footage and stills was produced by the Filmmuseum Munich with Swiss and Luxembourg cinémathèques and screened in 2006 at the American Museum of the Moving Image. The River starred Charles Farrell and Mary Duncan. The review on DeBaser reproduces a 1999 assessment by Martino Breve and mentions actor Alfred (Alfredo) Sabato as appearing in the film.

The provided review discusses Frank Borzage's 1929 film The River, much of which is lost and exists today in a reconstructed form. The review praises the film's sensuality, performances (Mary Duncan, Charles Farrell) and gothic-melodramatic tone. It notes a 2006 screening of the reconstruction and highlights a reproduced 1999 review by Martino Breve. The reviewer finds the film undervalued in Borzage's homeland.

For:Silent-film enthusiasts, film historians, fans of classic melodrama

 A dangerous water vortex, an unsettling crow that watches and guards the woman, the setting in an abysmal crevasse, violent snowstorms, the anxiety that arises from taking the last train, while the femme fatale mocks the naive young man. Frank Borzage's is a dark love melodrama steeped in horror and gothic. Masterful is the play of glances and expressions that orchestrates the mutual attraction between Good and Evil, between blissful naivety and cruel cynicism, between the impetus (the epic struggle between the woodcutter and nature) of a healthy body and mind and the lethal sensuality of a Mad Femme, languid, dominating, whose erotic charge is trapped between the explicit invitation to possess her without commitment and the grand gesture of love in the warm final embrace of the body. Thanks also to performances that have little affectation and seek spontaneity as much as possible, the viewer is led to love both the shyness and naivety of the young man caught in a trap, and, after an initial moment of fear, the coldness of a woman victim of loneliness and disillusionment, as attractive in her mischievous smiles as she is formidable and ultimately redeemed. Powerful, daring, sweet.

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