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THE REVIEW
At the end of an incredibly creative period, Battiato releases another masterpiece, perhaps the last; Caffè de la Paix.
The sense of sacredness that has permeated his latest works is filtered through delightful ethnic influences (possibly also thanks to the mixing carried out at Peter Gabriel's Real World studios) where traditional rock instruments are joined by elements of Arab and Indian music, creating an ideal bridge between East and West.
The album kicks off (quite literally) with the vibrant title track, but all the other tracks are exceptional, like the traditional Iraqi "Fogh In Nakhal" (already performed the previous year in Baghdad) which seems to immerse you suddenly into the tales of "One Thousand and One Nights".
A highly sophisticated music, yet never difficult to listen to, opening us to other worlds without ever making us feel like intruders. This is Battiato at his best; cultured but not snobbish, always open to new musical horizons.
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Summary by Bot
Caffè de la Paix marks the culmination of Franco Battiato's creative phase, blending rock with Arab and Indian influences. Recorded partly at Peter Gabriel’s Real World studios, the album creates a sophisticated yet accessible sound. Tracks like the traditional Iraqi 'Fogh In Nakhal' transport listeners to an evocative world inspired by One Thousand and One Nights. Battiato achieves a cultured, open-minded musical journey without pretension.
Franco Battiato
Italian singer-songwriter and composer known for blending experimental electronic music, classical influences and pop. Career spans from the late 1960s through the 2010s. Widely praised for both avant‑garde records and mainstream breakthroughs.96 Reviews
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