Cover of Francesco Sacco La voce umana
FedericoMava

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For fans of francesco sacco,lovers of italian singer-songwriters,enthusiasts of electronic and poetic music,listeners who appreciate romantic and emotional albums,readers interested in music combining literature and sound
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THE REVIEW

I liked this album from the Intro with the words of Jean Cocteau and the voice of Anna Magnani attempting to save love through a final phone conversation. It continues with 7 tracks that tell the search for human contact, too often superficial today: the ability to express oneself and the desire to find oneself again in “L’invenzione del Blues” and “Maria Maddalena”, the will to break both physical and mental barriers in “Berlino est” and “Piove a Nagasaki” and finally the joy of coming together in “A te” and “Lido di Venezia”. Musically, it reminds me of the more romantic Bluvertigo, which alternate the priority of words with the strong presence of electronics, yet always keeping a singer-songwriter melody that sticks in your head for days. I believe it is an excellent debut, even with good production, and that this singer-songwriter still has much to say. The cover is also very evocative, featuring him and his wife suspended over the sea of Lido di Venezia where this album was born.

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Summary by Bot

Francesco Sacco's debut album 'La voce umana' impresses with a blend of poetic lyrics, electronic sounds, and singer-songwriter melodies. The album explores themes of love, human connection, and self-discovery across seven tracks. Evocative references to Jean Cocteau and Anna Magnani set an emotional tone. The production is praised, with comparisons to romantic Bluvertigo influences. The evocative album cover complements the heartfelt music.

Francesco Sacco


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