Italian film director noted for mid-20th-century dramas and for adapting novels by Alberto Moravia; his films examine bourgeois society and themes of incommunicability.

Collaborated with Alberto Moravia on screenplays; directed the films 'Gli indifferenti' and 'I delfini', which explore bourgeois provincial life and moral constraints. Reviews note strong technical control of camera and black-and-white photography.

Two DeBaser reviews examine Maselli's adaptations of Moravia and mid-century bourgeois dramas. Critics praise technical mastery (camera, black-and-white photography) while finding characters schematic and the works occasionally boring. Both reviewed films receive moderate ratings (3/5).

For:Fans of classic Italian cinema, students of film and literary adaptations, readers interested in mid-20th-century social dramas.

 The film is the narration of different characters while following the various paths of small stories mentally narrated by Anselmo, the group's rebel who keeps futuristic and cubist reproductions in his room and wants to escape, ending up continuing to manage his father's business.

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 Francesco Maselli, a communist and anti-fascist, had everyone's eyes on him, being the namesake of an internationally renowned book.

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