Cover of Francesco Landini Ballate
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For fans of early and medieval music, lovers of classical and historical polyphony, scholars of music history, and anyone interested in the evolution of european musical traditions.
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THE REVIEW

Blind composer from birth. We're talking about the '300s. He contributed to making the simple monodic ballad polyphonic, making it increasingly refined and complex, singable and Italian, by utilizing the sweet "alla L" cadence. Landini, above all, knew how to integrate moral tones, existential questions, and bitter anathemas into his marvelous Ballate, pushing the boundaries of medieval intellect. In a few final words: GREAT HUMAN SPIRIT FREE BENEVOLENT INFLUENCE.

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Summary by Bot

This review highlights Francesco Landini's crucial role in evolving simple medieval ballads into complex polyphonic compositions. Emphasizing his use of the alla L cadence and integration of moral and existential themes, it praises the profound human spirit behind his Ballate. The album is recognized for its refinement, singability, and Italian character, pushing medieval musical boundaries.

Tracklist

01   Quanto Più Caro Faj (03:11)

02   L'Alma Mie Piange (03:56)

03   Non Ara May Pietà (02:22)

04   A Lè S'Andrà (03:57)

05   Giunta Vaga Biltà (03:16)

06   Foglio 49v (17) (02:15)

07   Cara Mie Donna (03:34)

08   Questa Fanciull'Amor (03:36)

09   Costantia (02:57)

10   Per Seguir La Speranza (03:34)

11   I' Priego Amor (03:34)

12   Chosa Nulla Più Fé (03:49)

13   Bel Fiore Danza (02:59)

14   Guard'Una Volta (02:57)

15   Orsù(n) Gentili Spirti (04:04)

16   Che Pena Questa (02:47)

17   Muort'Oramai (05:07)

18   Foglio 94v (43) (01:21)

Francesco Landini

Francesco Landini (c.1325–1397) was an Italian composer and poet of the Trecento, blind from childhood, best known for his ballate and for the characteristic Landini cadence. He is a central figure in 14th‑century Italian secular music.
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