Cover of Flower Travellin' Band Satori
Michoos What

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For fans of flower travellin' band, lovers of 1970s heavy rock and psychedelic music, collectors interested in japanese rock history, and enthusiasts of black sabbath-inspired sounds.
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LA RECENSIONE

"Stand quietly, doing nothing, spring comes, and the grass grows by itself" (ancient ZEN saying).

The 70s and beyond, the grass grew by itself. And everyone smoked it a bit. Certainly, maybe it wouldn't have inspired us common mortals to such an extent as to write a song like this one. It wouldn't have made us think that a simple cough ] could become one of the most famous beginnings in the history of heavy rock.

Among the "normal" people of that wonderful period, there were also folks who luckily stayed addicted only (or almost) to their idols. Spirit of emulation? Maybe so. But with a good dose of talent mixed with madness. If at that time you asked Shinki Chen (leader of the Japanese band: "Speed, Glue & Shinki"), who Jimi Hendrix really was, he would answer you with absolute certainty: "Me!". If by chance you had encountered the amiable long-haired Joe Yamanaka, singer of the "Flower Travellin' Band", you would have had before you a kind of Ozzy Osbourne with slanted eyes, but decidedly more polite.

Black Sabbath as a common thread, "Black Sabbath in an oriental key" bursting from all sides: here you have "Satori", the second studio album of the most important heavy rock band of the Land of the Rising Sun in the early 70s. Ancestral screams, slow and spectral rhythms: the funeral march can begin.

The "part 1" ] of an album divided into five chapters, is the most disturbing and intrinsically close to the sound of their European Masters. The essential characteristic of the entire work is the excessive use of the guitar like a sitar (Indian string instrument), which in certain passages almost seems to transform into a hypnotic and psychedelic lament, which paired with the pressing advance of the percussion, gives the sensation of falling into a temporary state of trance: the "part 2" that the Tokyo band offers is the purest expression of Oriental musical culture. Intrigued? Then I stop here, not before mentioning a frenetic blues interlude present in the central part; certainly the piece with the most groove, surely the most fun.

Have you ever heard a cover of "Black Sabbath" better than this? If the answer is: "mmm... perhaps not!", don't hesitate, try listening to the band that has been most faithful to the cult of the god-IOMMI.

Sayonara!

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Summary by Bot

The review celebrates Flower Travellin' Band's 1971 album 'Satori' as a pioneering heavy rock work from Japan with strong Black Sabbath influences. It highlights the band's unique blend of psychedelic and oriental sounds, especially the guitar's sitar-like quality. The album's five-part structure and hypnotic rhythms offer a distinctive trance-like experience. Memorable moments include a high-groove blues interlude and an acclaimed Black Sabbath cover.

Tracklist

01   Satori, Part 1 (05:21)

02   Satori, Part 2 (07:02)

03   Satori, Part 3 (10:40)

04   Satori, Part 4 (10:58)

05   Satori, Part 5 (07:55)

Flower Travellin' Band

Japanese rock group noted for a heavy, psychedelic sound in the early 1970s; best known for the album Satori and for raga-infllected guitar work.
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