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❝ In “Dance Fever,” however, this problem does not arise; quite the opposite, thanks to the production handled by the now ubiquitous Jack Antonoff, the band seems to have found new vigor: the sonic and vocal baroque elements are back but are managed much better, and old and new musical influences are channeled into the album in a much more measured and intelligent way than in the past.
❝ A solid, cohesive, and well-crafted pop album as rarely heard, which has no pretension other than to be listened to.
❝ The glue being her voice, this wonderful gift that Florence found between her lungs to which she rightly pays tribute by giving the album its title.
❝ “No Light, No Light,” the undisputed gem of the album and so far the latest single extracted, a track of desperate plea that creates before me the magnificent spectacle of the waves crashing against the rocky walls of cliffs, on stormy nights near enchanted woods.
❝ A good album, which consolidates the position of Florence + The Machine and confirms them as a solid reality of the genre.
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