Fabrizio Moro
Domani

The music that unites, the music that captivates simply because it is true, simple, direct, and original... is rarely found on an album where rhetoric reigns supreme... but if we restructure the cliché and serve it piping hot in the form of biting, nervous, and at times terrifyingly energetic music accompanied by a nice side of experimentation, here comes the second work of our dear "he's not DeAndrè but he's Fabrizio, he's not blonde but he's Moro: who is he?......"

I heard that our dear youngster, who by the way achieved success at the ripe age of 30, is an insult to music and a vile exploiter of serious social wounds, I simply want to express my opposing thought to such criticisms as I guarantee from true Palermitan that presenting a text like "Pensa" to the public is a strong sign of awareness if not a courageous undertaking... moreover, for those who defame "our" by attributing the title of exploiter to him, I would like to remind that the video of the aforementioned song was shot with the great Rita Borsellino, sister of the heroic magistrate!

 Domani is an album rich in freshness and words...from the first track that gives the whole work its title, there is a noted ability for the sound of words to render the structure of the song magnificent...it almost seems as if the voice has the role of accompanying the notes.

Fabrizio returns with heavy and direct protest through the guitar sound drawn out from "Svegliati": "They invented privileges for parliamentary friends... they invented that sometimes war is needed... to aid progress on this earth... Wake up."

The love ballad slows down the tempo to soften the spirits with "Eppure mi hai cambiato la vita" exaggeratedly Sanremese and clearly constructed ad-hoc for a jury of fools, but success has rules, and it's fair to respect them every now and then.

The hard and wild rock returns in "Libero" a liberating and simple piece, "I wonder why I wasn't born in '50?...I would have known what to do in the '70s!" and especially in "Gastrite" one of the best pieces of the entire work both musically and lyrically...clear is the protest against precariousness and amusing is the proposal to solve it: "I wish to be invisible for as long as I like...I could get organized...I would be a spy for the Ministry of the Interior" and still "I love everything that is Italian...a fake Christian Democracy country that throws the stone and hides the hand... and I respect Giorgio Napolitano... not the politician, the human being!" and also in "Devi salvarti" with a truly exasperated and acidic finale.

The real gem remains "Non importa" a revelation of an eternal equality among peoples' cultures, religions, and states of mind... a truly magnificent piece!

The cheerful and sweet tones are reserved for that audience who in "Domani" expect tracks like: "Sembra impossibile", "E' solo amore", and the fantastic playful "Un'altra canzone per noi".

With this excellent work, Fabrizio Moro is constantly gaining ground in a world where music needs imagination, energy, and above all, loyalty...congratulations!