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❝ The sound of the album ended up being raw and entirely uncompromising. Even ahead of its time, for its primordial aggression.
❝ In short, Eyehategod does it better than anyone, the sludge, in the small company of New Orleans, where people collaborate who are more or less connected with the sludge-sound (from Jimmy Bower with Eyehategod indeed, to Pepper Keenan, passing through Phil Anselmo).
❝ The singing is something absolutely degrading; the voice, shouted but far from being a screaming or growling (in full Hardcore Punk tradition, in other words), is coarse, dirty, rabidly resigned to a condition from which it cannot escape.
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