Cover of Explosions In The Sky The Earth Is Not A Cold Dead Place
hugoniot

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For fans of explosions in the sky, lovers of post-rock and instrumental music, and readers interested in atmospheric and emotionally rich albums.
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THE REVIEW

Evocative name for a group of strummers.

Don't take me for lazy, even if I am, but I don't intend to waste too many unnecessary words to describe what I consider a 2002 masterpiece by this group of young (some more, some less) people from Texas.

An instrumental album of notable craftsmanship, Mogwai-like sounds but less gloomy, a few more rays of sunshine and many sounds that tend to blend without ever becoming trite or clichéd... tracks that I believe will appeal to fans of the genre and will engage them to listen and listen again with the terrible feeling of missing something...

losing track...

press play again...

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Summary by Bot

Explosions In The Sky's 2002 album 'The Earth Is Not A Cold Dead Place' is a masterful instrumental work. It offers atmospheric, sunlit sounds reminiscent of Mogwai but less gloomy. The album's craftsmanship invites repeated listening, revealing deeper layers with each play.

Tracklist Lyrics Videos

01   First Breath After Coma (09:33)

Instrumental

02   The Only Moment We Were Alone (10:14)

Instrumental

03   Six Days at the Bottom of the Ocean (08:43)

Instrumental

04   Memorial (08:50)

Instrumental

05   Your Hand in Mine (08:17)

Instrumental

Explosions in the Sky

Explosions in the Sky are an American instrumental post-rock band from Austin, Texas, formed in 1999 by Mark Smith, Michael James, Munaf Rayani, and Chris Hrasky. They are widely known for dynamic, guitar-driven compositions and for scoring Friday Night Lights and other films.
10 Reviews

Other reviews

By Corsina

 A journey into a surreal dimension where a delicate, languid, and dreamy soundscape envelops and engages the senses in a kind of dreamlike suspension.

 Unmissable for lovers of the genre.


By Pandalillo

 "First Breath After Coma makes the band’s project clear; the territory to explore is that of rock and the possible uses of its canonical instrumentation."

 "Post-rock, the inspired one, innovative in some ways, ends here, the rest is truly boredom!"